With Prayer for What Remains, her first release since 2019, pianist Leslie Pintchik once again, with the assistance of her deeply connected bandmates, delivers engaging music notable as much for its intelligence as its emotional eloquence and scope.
Old friends Edward Simon, Scott Colley, and Brian Blade have reformed their trio for Three Visitors, their lyrical new jazz album, and a new friend, French-Dominican-Canadian pianist Thélonius García, offers an often captivating solo recording, Marche Nocturne, in more of a classical outing.
South African pianist and composer Nduduzo Makhathini brings his trio, with bassist Zwelakhe-Duma Bell le Pere and drummer Kabelo Boy Mokhatla, and his new album, uNomkhubulwane, which records a spiritual journey from grief to hope, to the Outpost this Sunday.
The must-listen pile is reduced by two more, with short reviews of these new releases from an unusual trio (Bill Frisell, Kit Downes, and Andrew Cyrille) and a more traditional quartet (Ben Wendel, Gerald Clayton, Linda May Han Oh, and Obed Calvaire).
On Thursday, October 31, Myra Melford’s Fire and Water Quintet will make its debut performance at the Outpost. Comprising five stellar improvisers—Melford (piano and melodica), Ingrid Laubrock (saxophones), Mary Halvorson (guitar), Tomeka Reid (cello), and Leslie Mok (drums)—the group plays vivid, life-affirming compositions by Melford, a sensitive synesthete, inspired by the paintings of Cy Twombly, specifically his Gaeta Set (For the Love of Fire and Water). Musically Speaking had the opportunity to speak with Melford, one of the brightest luminaries on the jazz scene.
