Luis Perdomo and Miguel Zenón. Photo by Jimmy Katz.
Peter Varnado, Oscar Rossignoli, Lex Warshawsky.
Alex Murzyn
Over the past two or three months, a number of personal and professional commitments have greatly reduced the time available for listening to and reviewing new releases, and I’ve watched quite a few pass under the Bridge of Timely Review and out to sea. So I hope now to get up to speed again with some short reviews of new and newish releases, such as El Arte del Bolero from Miguel Zenón and Luis Perdomo, Mar Adentro from Oscar Rossignoli, and Illumination from Alex Murzyn.
Pianist, composer, educator, and author Fred Hersch brings his trio, with bassist Drew Gress and drummer Jochen Ruekert, to the Outpost in Albuquerque on September 16, Unit B in Santa Fe on September 17, and the Harwood Museum in Taos on September 18—part of the New Mexico Jazz Festival. Over the last four decades or so, Hersch has established himself as an original and respected voice in modern jazz, releasing more than 60 albums and winning multiple accolades in the United States and Europe. He has played a wide range of musical styles in an equally wide range of formats, from solo piano to large-scale orchestras. One of the first—if not the first—jazz artists to step out of the closet, Hersch has helped open doors for others, particularly through his memoir, Good Things Happen Slowly, a frank account of his health struggles and triumphs as an openly gay, HIV-positive jazz musician. Near death in 2008, he was placed in a medically induced coma for several weeks, during which he experienced an unusually realistic series of dreams, which he recounted in one of his signal projects, My Coma Dreams, a moving multimedia jazz theater piece.
He graciously offered to speak to Musically Speaking in advance of his New Mexico Jazz Festival performances. The interview has been lightly edited for clarity and length.
Tom McDermott—one of New Orleans’ most distinctive pianists and a modern-day keeper (and fanner) of the flame—moves effortlessly and with a distinctive style among ragtime, traditional jazz, R&B, and Brazilian choro, and on August 20, he will be moving onto the stage at Unit B in Santa Fe.
Love Unfold the Moon (l2r): Thor Rodriguez, Ben Wright, Ash Mattia, Mustafa Stefan Dill.
In the wake of the latest acclaimed release from Mustafa Stefan Dill’s Love Unfold the Sun, Explode Yourself, the ever-inventive, ever-expressive Dill (guitar, oud) brings a new free-improv quartet, Love Unfold the Moon, to the stage at Entropy Gallery in Santa Fe on July 11 to celebrate its first release, Hidden Promises in Joined Terrains, Apex Emerging. (On July 2, Love Unfold the Sun will make a much-anticipated appearance at the Outpost in Albuquerque.)
The Button Jar, the solo release from pianist and composer Yvonne Rogers, presents a singular and compelling new voice on the instrument that reflects a wisdom beyond her years.