Category Archives: Previews

René Marie: Sweetened by Risk

Photo by JaniceYim.

Photo by JaniceYim.

I saw and heard Rene Marie for the first time at the Outpost last spring. Going in, I knew only that she was a jazz singer with two first names and an imaginative haircut. That night, I learned that onstage, she opens herself to the music, lights, and audience the way a morning glory opens itself to the sun—brilliantly exposed and vulnerable.

But in command, too—with a lovely instrument, an actress’s ability to assume character, a strong backbone, and a very clear idea of what she wants to do with a song.

This Thursday, vocalist, playwright, teacher, and activist Marie brings her group—with Kevin Bales (piano), Elias Bailey (bass), and Quentin Baxter (drums)—back to the Outpost, riding the wave generated by her latest album, I Wanna Be Evil (Motéma). It’s a delicious tribute to the late Eartha Kitt, featuring a number of songs associated with the strong-willed singer, actress, and dancer, as well as star turns from Charles Etienne on trumpet, the gloriously audacious Wycliffe Gordon on trombone, and Adrian Cunningham on flute, clarinet, and sax. The two ladies have a lot of characteristics in common—suavity, sensuality, grit, honesty, and straight talking—and it’s unlikely anyone else on this planet could honor Kitt as effectively as Marie does. Continue reading

Roaming the Collective Unconscious in Songs Centuries Old

The Wandering Ballad CD Release PartyCD Cover The Wandering Ballad

The repertoire of Johanna Hongell-Darsee and Scott Darsee includes the most popular songs of all time, though few of them have ever appeared on a Billboard chart. Their longevity and their near universal presence around the globe, however, attest to their
appeal. On The Wandering Ballad, available via iTunes, CD Baby, and Amazon, the duo presents ballads that have formed the heart of their last three live productions. Some of the tunes were first written down in the 12th
century, by which time some of them had already traveled halfway around the world, accreting scores of verses from different cultures and attaching local melodies along the way.

The album presents songs in English, French, Finnish, and Swedish, in spare and beautiful arrangements that conjure a medieval atmosphere. Modern and ancient instruments weave the spell, with Hongell-Darsee on vocals, flute, clarinet, härjedalspipa (Scandinavian wooden
whistle) and Darsee on acoustic and electric guitars and bass, with assistance from Christopher A. Carlson on violin and octave violin, Sharon Berman on recorders, and Juan Wijngaard on
hurdy-gurdy. At the CD release party, presented by AMP Concerts at the Outpost this Friday, these artists will be joined by Larry Otis on guitar and saxophone and Tej Bhavsar on sitar.

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The Matt Wilson Quartet Gets Personal

Matt Wilson Quartet. Photo by Tom Foley.

Matt Wilson Quartet: Kirk Knuffke, Jeff Lederer, Wilson, Chris Lightcap. Photo by Tom Foley.

Drummer, composer, and Palmetto Records recording artist Matt Wilson doesn’t want you to just hear the music. “I’m always advocating to my students—and myself, too—that music
conjures more than just an aural response,” he says. “We want to be able to see music, we want to be able to taste music, we want to be able to smell music.”

He’s been entirely successful in provoking a synesthetic response from me. I just recently
realized that that’s one of the things I find so compelling in his music: it stimulates silent movies in my head for which he’s providing the soundtrack—and the title. Monikers such as “That’s Gonna Leave a Mark,” the title track of a previous album, or “Some Assembly Required,” off his quartet’s latest release, Gathering Call, just scream “Lights. Camera. Action.” The vivid musical personalities of the guys in the band become the characters in my little skully cinema.

“If you play music that conjures other images other than just someone hearing it, you’re striking [the listener]—either positively or negatively,” he says. “At least you’re getting some sort of
response out of them. I’d rather have that than the trough of blah, which is kind of like”—
dismissively—“ ‘Oh, yeah, it’s nice.’ ”

gatheringcall_cover

Wilson’s music, which he prefers to call “our music,” in reference to the contributions of the entire band, will never be accused of spending any time in the “trough of blah.” Concise, congenial, and energetic, it reflects his personality—and those of his band mates: Kirk Knuffke (cornet), who passed through here recently with Boom Tic Boom; Jeff
Lederer (tenor and soprano saxes, clarinet), and Chris Lightcap (bass). They’ll be offering up a smorgasbord of synesthesia at the
Outpost this coming Thursday.

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Carnaval Hits the Streets (and news about a fun[d]-raiser)

 

For musician/composer Frank Leto and his lovely wife, dancer/choreographer Pilar Leto,
Carnaval has been a pivotal annual event for well over 30 years. They met, in fact, when Pilar auditioned for one of Frank’s Carnaval productions in San Francisco in 1979, and every year since then, wherever they were living—from California to Hawaii to New Mexico—they’ve
produced a Carnaval dance and music presentation.

This year, they return to the National Hispanic Cultural Center, which has hosted the popular annual extravaganza for almost 10 years, and many things in the event will be similar. Frank’s band, PANdemonium, and Pilar’s troupe, the Odara Dance Ensemble, will again feature original music and dance that celebrate the traditions of Brazil, Cuba, Trinidad, and Louisiana, and there will be a cast of about 50, astonishing costumes, stilt walkers, dazzling lighting effects, and all the rest.

But there will also be one big difference: instead of presenting a song and dance revue
interspersed with entertaining commentary, the 2014 production will premiere Carnaval: Streets of Love, an original musical created by the Letos and writer Kate Smith, who have their eyes on a final destination somewhere on or just off Broadway.

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Vintage Jazz and Blues with Riverside Jass Trio (and a Plug for Our Sponsor)

I’m beginning to think there’s a musician hiding under every rock in Albuquerque. The place is lousy with them—and good ones, too. The Riverside Jass Trio comprises an orthopedist, a
professor, and an architect. They’ve got a new CD and are planning a party to celebrate its
release. I sure hope their patients, students, and clients, respectively, are happy with their
professional services because music fans are disappointed that these guys aren’t playing music full-time.

InDesign Page 1 & 4.indd Riverside Jass Trio, That’s a Plenty (Café Jazzed Music Productions)
A Review

Richard “Doc” Rock (trombone, banjo, vocals, and orthopedics), Wayne Shrubsall (banjo,
vocals, and a Ph.D. in American studies), and Mark Weaver (tuba and architectural
structures) have each made his mark in a
musical setting completely different from his band mates.

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