When drummer Billy Cobham hits a drum head with a stick, that sucker stays hit. Combining explosive aggression with a subtle rhythmic sensibility accented with a Spanish tinge, Cobham blasted his way to prominence as a founding member of the Mahavishnu Orchestra, the
prototypical fusion band of the early 1970s.
Photo by Faina Cobham.
But it was his own recording, Spectrum, that unexpectedly launched his career as a leader in 1973. Intended as a showcase to help him find work as a sideman, the album, which fused funk, jazz, and rock, established Cobham as a virtuoso force to be reckoned with, both as a leader and a composer.
On the 40th anniversary of that recording, the Billy Cobham Spectrum 40 international tour is revisiting those compositions, which are now informed by a career that spans more than 50 years and, it seems, about as many musical genres. From George Duke to the Grateful Dead, Nigeria’s Okuta Percussion to Cuba’s Asere, Ron Carter to Jack Bruce, Kenny Barron to Peter Gabriel, Cobham has played with an astonishingly wide range of artists and absorbed literally a world of musical influences in the course of his creative journey.
This Saturday, the New Mexico Jazz Workshop presents the tireless drummer at the Kimo
Theater. He’ll be bringing longtime compadres Dean Brown (guitar), Gary Husband (piano), and Ric Fierabracci (bass) with him to explore new arrangements of the classic Spectrum
compositions.
