Category Archives: Previews

Coming Alive through Song: Aiming for Fulfillment

A singing encounter with theater group Casa Talcahuano, Buenos Aires. Photo by Martin Bertolami.

In the fall of 2018, Alejandro Tomás Rodriguez—actor, musician and member of the internationally recognized trio Engine, and currently a visiting professor at UNM—introduced a series of singing encounters called Coming Alive through Song, which he described this way in an invitation: “Coming Alive through Song is a cycle of singing sessions open to all. . . . In these encounters, we will dive into a fluid interaction of song, movement, and rhythms rooted in Afro–Latin American traditions, as well as spirituals and shouts from the Deep South of the United States. Part of the day will be dedicated to physical work: exercises of synchronization and reaction contained within a structure that unfolds through different rhythms and games.”

These encounters have continued, and with his return to Albuquerque for the spring semester, they are about to begin again. Rodriguez, who will colead the sessions with collaborator Lloyd Bricken, shared his thoughts about the nature of these encounters, their objective, and their provenance in an interview reproduced here in an edited version, along with a promotional video, details about the upcoming sessions, and a brief profile of Rodriguez’s professional background.

Continue reading

Steel House Offers Intelligence and Grace at the Outpost

Steel House: Scott Colley, Edward Simon, Brian Blade

Steel House, a leaderless trio made up of Edward Simon (piano, keyboards), Scott Colley (bass), and Brian Blade (drums, pump organ), offers expressive original music whose inviting transparency is suffused with intelligence and grace. On Friday, November 15, the trio will grace the stage at the Outpost for what promises to be a highlight of the musical season.

Continue reading

Saxophonist Miguel Zenón Brings ‘Sonero,’ a Very Personal Project, to Gig and the Outpost

The Miguel Zenón Quartet: Hans Glawischnig, Zenón, Henry Cole, and Luis Perdomo

The latest release from alto saxophonist and Puerto Rico cultural ambassador Miguel Zenón, the stunning Sonero: The Music of Ismael Rivera, pays homage to a Puerto Rican cultural and musical icon, known affectionately as Maelo by his fans, whose originality and improvisational genius enriched and extended the bomba and plena traditions. The album features songs from Rivera’s repertoire, focusing on the Great Latin American Songbook through the lens of jazz. Zenón brings his remarkable quartet—with Luis Perdomo on piano, Matt Penman on bass (subbing for Hans Glawischnig), and Henry Cole on drums—to the Gig Performance Space in Santa Fe on November 13 and the Outpost Performance Space in Albuquerque on November 14. Musically Speaking had the opportunity to speak to Zenón about the project.

Continue reading

Carla Does Carla

Carla Van Blake. Photo courtesy of Carla Van Blake.

Carla Van Blake (aka Carla Van Blake Terwilliger) possesses a variety of skills, from software engineering to couture design to jewelry making, but her first and enduring love is music. Starting in a gospel choir at age three, Van Blake expanded her repertoire to blues and jazz as an adult. When trumpet maestro and jazz icon Bobby Shew heard her for the first time, he said, “The phrasing and everything was right, and she sings in tune, and she has the whole persona as a jazz singer.” In 2018, she released her first jazz album, Land of Enchantment, a New Mexico Music Awards finalist that includes 10 originals.

She’s led an interesting life, growing up in New York State and Nigeria, volunteering with the Peace Corps in Mali, and surviving a near-death experience (see my article from Albuquerque The Magazine, appended below). So it seems only fitting that, for her appearance in the New Mexico Jazz Workshop’s Jazz Stories 3.0 series on September 24, she will be presenting “My Life, My Music,” featuring original music, with the help of Jim Ahrend (piano), Steve Terwilliger (guitar), Rob “Milo” Jaramillo (bass), John Bartlit (drums), and special guest, reed maestro Arlen Asher.

Carla and I had recently spoke about the upcoming event, and the lightly edited interview follows.

Continue reading

Patti Does Carmen

Patti Littlefield

Vocalist Patti Littlefield has crisscrossed the country following her muse—touring in theatrical productions, performing as a singer/songwriter in San Francisco’s Ghirardelli Square, working in a puppet theater in Chicago, singing with Luther Vandross in LA, hanging with Joni Mitchell, and making demos in New York City for legendary songwriter Doc Pomus. Fate deposited her in Albuquerque, where she has made a name for herself as a vocalist comfortable in an array of genres, from blues to new music. This coming Tuesday at Kosmos, as part of the New Mexico Jazz Workshop’s Jazz Stories 3.0 series, she’ll be paying homage to Carmen McRae, a vocalist close to her heart, with help from Sid Fendley (piano) and Rob “Milo” Jaramillo (bass). Rumor has it that a well-loved reed man by the name of Arlen Asher could also make an appearance.

Patti and I recently had a chat about her connection to McRae, and the upcoming concert.

Continue reading