For me, Catherine Russell is the Hank Jones of vocalists. Like the late pianist, she carries the entire history of jazz and blues in every phrase she delivers—from New Orleans to Muscle Shoals, from the Brill Building to Harlem. It’s the canvas for her vocal paints and brushes. Like Jones, her every line moves with an understated elegance and a heart-lifting swing to tell a story—the whole story. Her latest album, Alone Together, gives us a singer at the top of her game, backed by a terrific band perfectly matched to her intentions.
Engine: Robin Gentien, Pierre Lauth-Karson, Alejandro Tomás Rodriguez. Photo by Trevor Meier.
Back in 2017, when the trio Engine was invited to perform at Tricklock Company’s 17th Annual Revolutions International Theatre Festival and at ¡Globalquerque!, likely no one suspected that it was the beginning of a love affair between the band and New Mexico. Two years later, however, thanks to the Theater Department at UNM and Neal Copperman at AMP Concerts, the Franco-Argentine trio—Alejandro Tomás Rodriguez (vocals, acoustic guitar), Robin Gentien (vocals, electric guitar, cascas), and Pierre Lauth-Karson (vocals, harmonica, shaker)—has established a North American home base in Albuquerque. Last spring, their Encuentros Íntimos (Intimate Encounters) concert series here quickly developed a devoted (and SRO) audience and produced a live recording, Encuentros Íntimos: Unplugged in Albuquerque, and the band also recorded a studio album, Si viene la muerte, before taking off on a four-month European tour. This week, the band—now a sextet for its New Mexico appearances, with the addition of Terry Bluhm (bass), Jefferson Voorhees (drums), and Caro Acuña (percussion)—is launching another set of Encuentros Íntimos. This year’s edition includes four appearances in Santa Fe and four in Albuquerque. Anyone interested in an ecstatic musical experience should mark their calendars accordingly.
On Trio Tapestry, his first recording on ECM as a leader, tenor saxophonist Joe Lovano called on pianist Marilyn Crispell and drummer Carmen Castaldi—and his own long history with the likes of Paul Motian, Bill Frisell, Gunther Schuller, and Hank Jones, among others—to create an album of expressive and intimate beauty. The trio will bring their atmospheric grace to the stage at the Outpost on March 12.
Wild Humans: Maren Hatch, Ryan Jarvis, Julian Wild, April Lisette
I’ve been writing about New Mexican singer/songwriters going on 15 years now, and I can tell you there’s no end of them in this place, and good ones, too, from all over the musical spectrum. In recent weeks, I’ve made the acquaintance of Lara Manzanares, whose terrific album Land Baby won Best Of at the 2018 NM Music Awards, and the soulful Isaac Aragon, who’s forthcoming single, scheduled for early 2019, is going to open up some ears. Meanwhile, two guys whose work I’ve enjoyed for a while, Gato Malo (aka Felix Peralta) and Julian Wild (aka Julian Singer-Corbin), frontman for Wild Humans, have recently released new work worthy of your ears. The two albums come at you from completely different musical points of the compass, but what they share is deep insight delivered with honest feeling.
Vocalist/songwriter Susan Abod will celebrate the release of her new album, What’s Not Wrong?, this weekend in Santa Fe—and there’s a lot to celebrate about this jazzy chanteuse and her music. Continue reading →
