The music had started sounding the same to me, and I feared that I could not listen—or hear—anymore. Then, within a week or so, I came across these five albums—from John Lurie, American Patchwork Quartet, Alexvndria, the Yes! Trio, and Allison Burik—that sound nothing like one another. Thank goodness. Here are five short (mostly) reviews to whet your appetite.
Sorry for Laughing, Gordon Whitlow’s unclassifiable group, has developed a sound that would be near impossible for anyone else to imitate. Lily Guarneros Maase unblinkingly considers abusive love.
Two piano trios, each led by an artist new to me, Tsuyoshi Yamamoto and Henry Hey, speak the same language, but in quite different dialects.
Here are four distinctively different projects that fall, to one degree or another, under the jazz umbrella—from the Dan Tepfer and Miguel Zenón duo, Myra Melford’s Fire and Water Quintet, Billy Mohler’s chordless quartet, and Lafayette Gilchrist’s sextet. They offer distinctly different musical experiences, but they all share one thing: no one else sounds anything like any of them.
Artrio—one, a new release from saxophonist Alex Murzyn, pianist John Funkhouser, and bassist Terry Burns—resident New Mexicans all—offers a master class in small ensemble jazz and a satisfying reminder of the high quality of the musicians here in New Mexico. They’ll celebrate their work with a CD release party at Q Bar, Friday, October 6. I was honored by their invitation to write the album’s liner notes, which, slightly adapted, also provide this review.
