I first heard reed maestro Arlen Asher in concert at the Outpost in Albuquerque. I don’t remember too much about that evening—it was 25 years ago or so—but the audience was humming in anticipation of his appearance, a local guy I’d never heard of. I wondered what all the fuss was about. I soon found out.
Carla Van Blake (aka Carla Van Blake Terwilliger) possesses a variety of skills, from software engineering to couture design to jewelry making, but her first and enduring love is music. Starting in a gospel choir at age three, Van Blake expanded her repertoire to blues and jazz as an adult. When trumpet maestro and jazz icon Bobby Shew heard her for the first time, he said, “The phrasing and everything was right, and she sings in tune, and she has the whole persona as a jazz singer.” In 2018, she released her first jazz album, Land of Enchantment, a New Mexico Music Awards finalist that includes 10 originals.
She’s led an interesting life, growing up in New York State and Nigeria, volunteering with the Peace Corps in Mali, and surviving a near-death experience (see my article from Albuquerque The Magazine, appended below). So it seems only fitting that, for her appearance in the New Mexico Jazz Workshop’s Jazz Stories 3.0 series on September 24, she will be presenting “My Life, My Music,” featuring original music, with the help of Jim Ahrend (piano), Steve Terwilliger (guitar), Rob “Milo” Jaramillo (bass), John Bartlit (drums), and special guest, reed maestro Arlen Asher.
Carla and I had recently spoke about the upcoming event, and the lightly edited interview follows.
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The forecast is for sunny and warm vocals with high levels of musicianship on vocalist Carla Van Blake’s new release, Land of Enchantment, and on Sunday, August 19, she will throw a launch party at The Mine Shaft in Madrid at 6:00 p.m. to celebrate its release. Continue reading
The Albuquerque/Santa Fe corridor boasts a vein of musical talent that is out of all proportion to the size of the population. Several of the folks featured in the two reviews below have gigged far and wide, exciting audiences on multiple continents, but what they all have in common is that they live here in northern New Mexico. We get to hear them quite frequently. So today we feature albums from fellow New Mexicans Arlen Asher and the trio Kadish Gagan Bartlit (aka KGB), and all you poor deprived coastal dwellers now have the opportunity to hear them, too. Continue reading
New Mexico is blessed with a generous helping of world-class musicians of all types, artists who could play on the world’s finest stages (some do) but choose to make their home here. Stellar reed man, educator, and award-winning broadcaster, Arlen Asher has been on that list for 59 years. Since his arrival here in 1958, Arlen has beguiled audiences with his beautiful tone and his silky lines on an arsenal of woodwinds that he hauls to just about every gig—flutes, saxophones (he once confessed that the bari is his favorite instrument), and clarinet. On May 7, Arlen turns 88, but age has not dimmed his passion for the music. On May 4, this consummate gentleman will celebrate his birthday—and the 83rd birthday of jazz fan and producer Bumble Bee Bob Weil—with a concert in the hall that bears Weil’s name at the Outpost Performance Space. I caught up with Arlen recently to talk about the upcoming gig, which will include pianist Jim Ahrend, bassist Colin Deuble, and drummer John Trentacosta, as well as guest vocalists Judy Christopher and Patti Littlefield. The quartet will reprise the concert at the Museum Hill Café in Santa Fe on May 6, with guest vocalists Susan Abod and Pam Jackson (guitarist Michael Anthony will replace Ahrend). Here are some of the highlights of our conversation. Continue reading