New releases from Chris Potter’s quartet and Ernesto Cervini’s sextet Turboprop wash away the dust of everyday life* and demonstrate that modern jazz is alive and well and in good hands.
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New releases from Chris Potter’s quartet and Ernesto Cervini’s sextet Turboprop wash away the dust of everyday life* and demonstrate that modern jazz is alive and well and in good hands.
Ernesto Cervini and Bruce Barth, two musicians whom I have long admired, and Yosef Gutman Levitt, a brand-new acquaintance, have new albums that deserve attention.
Kirk Knuffke and Ernesto Cervini take acoustic and electric approaches, respectively, in their sophisticated and accessible new releases. Both deliver terrific new compositions (Cervini adds a jazz standard and a Vince Mendoza song), and the compelling performances give me hope for the future of jazz just when I was beginning to think that every solo I was hearing sounded just like the previous one and that complex vacancy was the order of the day.
Philadelphia’s Fresh Cut Orchestra and Ernesto Cervini’s sextet cook up distinctly different
releases worthy of your attention. Continue reading